I was given an assignment to write "a paragraph of description, as good as [I] can make it." I'm not sure how good it is, but it lent itself to becoming a flash-fic and so I share it. 300 words, general rated.
and yeah, the cut text is shamelesslymissappropriated
The sea is like slate, and makes a mockery of the notion that one might surf, or frolic in the waves, or even swim. It looks instead as though you could walk right out to the horizon, arriving at the junction of pale grey and dark with your feet sore from trudging so far on such a hard surface. It's only where the water meets the land that any sense of liquid is revealed, and then only because the receding tide has left a strip of pebbles shiny and darker than their dry flint cousins farther up the beach. There's no sunshine, not a hint of breeze, it's like being on a seaside film-set except when I take a deep breath, the air smells of salt and damp, rather than paint and bodies heated by Kleig-lights.
Then the illusion's shattered further by a pair of squawking seagulls, fighting over a discarded scrap of food. They land in the sea with a splash-splash, making ripples that lap at the pebbles on the shore. In the ripples' edges, slate-grey gives way to green-grey shadows and I get a sense of the water's depth. Then I notice a fishing boat, and further out, a tanker, and I hear a child screaming in delight and a dog barking, rocks clacking as he runs. I remember there's a bustling city at my back, that the low rumbling is people in their cars going about their business, that if the curve of the earth were a little less acute, I could see France.
The beach stones are hard under my thin-soled work shoes and I've lost that feeling of being the only person left in a post-apocalyptic world without weather so I turn west and leave, hoping I'm not late to work again.
and yeah, the cut text is shamelessly
The sea is like slate, and makes a mockery of the notion that one might surf, or frolic in the waves, or even swim. It looks instead as though you could walk right out to the horizon, arriving at the junction of pale grey and dark with your feet sore from trudging so far on such a hard surface. It's only where the water meets the land that any sense of liquid is revealed, and then only because the receding tide has left a strip of pebbles shiny and darker than their dry flint cousins farther up the beach. There's no sunshine, not a hint of breeze, it's like being on a seaside film-set except when I take a deep breath, the air smells of salt and damp, rather than paint and bodies heated by Kleig-lights.
Then the illusion's shattered further by a pair of squawking seagulls, fighting over a discarded scrap of food. They land in the sea with a splash-splash, making ripples that lap at the pebbles on the shore. In the ripples' edges, slate-grey gives way to green-grey shadows and I get a sense of the water's depth. Then I notice a fishing boat, and further out, a tanker, and I hear a child screaming in delight and a dog barking, rocks clacking as he runs. I remember there's a bustling city at my back, that the low rumbling is people in their cars going about their business, that if the curve of the earth were a little less acute, I could see France.
The beach stones are hard under my thin-soled work shoes and I've lost that feeling of being the only person left in a post-apocalyptic world without weather so I turn west and leave, hoping I'm not late to work again.
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Would be more coherent, but am super tired & was doing one last check of my friends page when I read this & I couldn't not say anything. :)
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Thank you.
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arriving at the junction of pale grey and dark
Placing "dark" out on its own like that really put across that sense of the narrator being in a place where people aren't.
the air smells of salt and damp, rather than paint and bodies heated by Kleig-lights
And here, where you straddle the two places of illusion - she's still in limbo, between worlds as it were.
paws making the rocks clack as he runs
Brilliant use of sound (I'd be tempted to maybe change it to "a dog barking, rocks clacking as he runs" which begs to be read out loud, although it's more than good as it stands).
if the curve of the earth were a little less acute, I could see France
I love this best of all, I think. The narrator is back in the real world at this point but she's still yearning, reaching out beyond the immediate boundary before her, wanting to expand her horizon(s). I can't decide whether it's stronger if you end it there or whether the final paragraph is needed to "ground" us all. I guess if the assignment is "a paragraph" then you could run the first two together and get rid of the last? As flash fic, I'd keep at least two paragraphs and take a judgement call on the third.
Thanks for sharing this - it was a lovely way to wake up this morning.
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Each time I went back to edit I got stuck on the pale grey and dark bit, loving it and the way it sounded, but worrying that it lost meaning somewhere. So hearing that it has subtext makes me extremely happy.
And again, with the dog, you find a line I stumbled over a bit, and make me wonder why the gerund didn't come to me *g*
The final paragraph came in and went out twice. It is separate from the original assignment (and I was definitely going to not read it aloud in class when it comes time to read the assignments), and I put it in in an effort to give the story movement, make it a journey from one place to another. Since this is not my usual modus operandi, I'm not sure it succeeds as I'd like it to.
I'm glad I could give you something lovely to wake up to.
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Brings back my Bournemouth days.
It's only where the water meets the land that any sense of liquid is revealed, and then only because the receding tide has left a strip of pebbles shiny and dark...
We were watching a documentary about Factory Recors/Tony Wilson, and for some reason, they showed some really grainy b&w footage of the sea shore.
Except it just looked like a thick horizontal band of dark grey (top), a thin band of black (middle) and then light grey (bottom). I was looking at it thinking, "?" when something white appeared to fall out of the black band, and I realised it was a wave wrinkling against the beach.
It was one of those things that needed to be seen really, but I found it really mysterious and beautiful.
And this reminded me of it.
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Your tutor's going to love it.
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