rivers_bend: (footprints)
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posted by [personal profile] rivers_bend at 06:35pm on 21/09/2007 under ,
I was given an assignment to write "a paragraph of description, as good as [I] can make it." I'm not sure how good it is, but it lent itself to becoming a flash-fic and so I share it. 300 words, general rated.

and yeah, the cut text is shamelessly missappropriated

The sea is like slate, and makes a mockery of the notion that one might surf, or frolic in the waves, or even swim. It looks instead as though you could walk right out to the horizon, arriving at the junction of pale grey and dark with your feet sore from trudging so far on such a hard surface. It's only where the water meets the land that any sense of liquid is revealed, and then only because the receding tide has left a strip of pebbles shiny and darker than their dry flint cousins farther up the beach. There's no sunshine, not a hint of breeze, it's like being on a seaside film-set except when I take a deep breath, the air smells of salt and damp, rather than paint and bodies heated by Kleig-lights.

Then the illusion's shattered further by a pair of squawking seagulls, fighting over a discarded scrap of food. They land in the sea with a splash-splash, making ripples that lap at the pebbles on the shore. In the ripples' edges, slate-grey gives way to green-grey shadows and I get a sense of the water's depth. Then I notice a fishing boat, and further out, a tanker, and I hear a child screaming in delight and a dog barking, rocks clacking as he runs. I remember there's a bustling city at my back, that the low rumbling is people in their cars going about their business, that if the curve of the earth were a little less acute, I could see France.

The beach stones are hard under my thin-soled work shoes and I've lost that feeling of being the only person left in a post-apocalyptic world without weather so I turn west and leave, hoping I'm not late to work again.
There are 17 comments on this entry. (Reply.)
 
posted by [identity profile] milady1844.livejournal.com at 07:03am on 22/09/2007
Very cool. I really could see and imagine that sea & being able to walk out on it. Wonderful image "bodies heated by Klieg-lights". Loved the bit at the end about not being in a post-apocalyptic world & being late for work.

Would be more coherent, but am super tired & was doing one last check of my friends page when I read this & I couldn't not say anything. :)
 
posted by [identity profile] rivers-bend.livejournal.com at 02:15pm on 22/09/2007
I'm so glad you took the time to comment! It makes me super happy to hear that you could see the sea, as I struggle with physical descriptions. I am also glad to have your opinion on the final paragraph because I'm not sure about it with the rest of the piece, so knowing that it works for someone is very helpful!

Thank you.
 
posted by [identity profile] tigertrapped.livejournal.com at 07:56am on 22/09/2007
Wonderful, evocative writing which fulfills the first objective of flash: to say so much more than 300 words allow. I love the way you capture that sense of isolation - the narrator's withdrawal from the world - at the outset and gradually let the world creep back in, the sights and sounds drawing us out of the empty place, filling it again. I thought these fragments were particularly good:

arriving at the junction of pale grey and dark

Placing "dark" out on its own like that really put across that sense of the narrator being in a place where people aren't.

the air smells of salt and damp, rather than paint and bodies heated by Kleig-lights
And here, where you straddle the two places of illusion - she's still in limbo, between worlds as it were.

paws making the rocks clack as he runs

Brilliant use of sound (I'd be tempted to maybe change it to "a dog barking, rocks clacking as he runs" which begs to be read out loud, although it's more than good as it stands).

if the curve of the earth were a little less acute, I could see France

I love this best of all, I think. The narrator is back in the real world at this point but she's still yearning, reaching out beyond the immediate boundary before her, wanting to expand her horizon(s). I can't decide whether it's stronger if you end it there or whether the final paragraph is needed to "ground" us all. I guess if the assignment is "a paragraph" then you could run the first two together and get rid of the last? As flash fic, I'd keep at least two paragraphs and take a judgement call on the third.

Thanks for sharing this - it was a lovely way to wake up this morning.
 
posted by [identity profile] rivers-bend.livejournal.com at 02:10pm on 22/09/2007
Thank you so so much for your comments.

Each time I went back to edit I got stuck on the pale grey and dark bit, loving it and the way it sounded, but worrying that it lost meaning somewhere. So hearing that it has subtext makes me extremely happy.

And again, with the dog, you find a line I stumbled over a bit, and make me wonder why the gerund didn't come to me *g*

The final paragraph came in and went out twice. It is separate from the original assignment (and I was definitely going to not read it aloud in class when it comes time to read the assignments), and I put it in in an effort to give the story movement, make it a journey from one place to another. Since this is not my usual modus operandi, I'm not sure it succeeds as I'd like it to.

I'm glad I could give you something lovely to wake up to.
 
posted by [identity profile] gregoria44.livejournal.com at 09:17am on 22/09/2007
Ah, the sea.

Brings back my Bournemouth days.

It's only where the water meets the land that any sense of liquid is revealed, and then only because the receding tide has left a strip of pebbles shiny and dark...

We were watching a documentary about Factory Recors/Tony Wilson, and for some reason, they showed some really grainy b&w footage of the sea shore.

Except it just looked like a thick horizontal band of dark grey (top), a thin band of black (middle) and then light grey (bottom). I was looking at it thinking, "?" when something white appeared to fall out of the black band, and I realised it was a wave wrinkling against the beach.

It was one of those things that needed to be seen really, but I found it really mysterious and beautiful.

And this reminded me of it.
 
posted by [identity profile] gregoria44.livejournal.com at 09:18am on 22/09/2007
Oh, and I used to try and see France too, back in the days when my grasp of geography was worse than it is now. (Still not good!)
 
posted by [identity profile] rivers-bend.livejournal.com at 02:19pm on 22/09/2007
you look at a map and the channel seems so tiny, you just really want to be able to see France. Not gonna happen from Brighton though. Nor Bournmouth :)
 
posted by [identity profile] gregoria44.livejournal.com at 05:20pm on 22/09/2007
...Though in Bournemouth you can squint at the Isle of Wight and pretend really hard!
 
posted by [identity profile] rivers-bend.livejournal.com at 02:18pm on 22/09/2007
Wow, thank you so much! That I could evoke that image for you makes me really happy. And that sounds really cool. I'd love to see it, but I'm glad to have it described :)
 
posted by [identity profile] luvsabitch.livejournal.com at 02:13pm on 22/09/2007
i love the economy of phrasing in your work. You have managed to paint such a vivid picture in these 300 words. The middle section is particualrly evocative and takes me back to childhood memories of the sea.Thank you.<3
 
posted by [identity profile] rivers-bend.livejournal.com at 02:21pm on 22/09/2007
Thank you! I'm thrilled that I could take you back to childhood memories of the sea, that is what I love about flash fic, that it can bring people snapshots if it's done right. So that is a wonderful compliment. Thank you for reading!
 
posted by [identity profile] diachrony.livejournal.com at 05:18pm on 22/09/2007
I love it, it's rich with the kind of detail one can feel right in their flesh and bones while reading, it puts you in the narrator's body, in the experience. Rather than reading about someone else, you're inhabiting the moment, it's happening to you as you read. (That's not necessarily the case with first-person narratives, so that's not why it comes across that way to me; it's definitely due to the deftness of the writer.)
 
posted by [identity profile] rivers-bend.livejournal.com at 05:24pm on 22/09/2007
Wow! Thank you so much for such a lovely compliment. my whole goal with this was to make the reader feel like s/he was there, and so you've made me all giddy with your comment.
 
posted by [identity profile] talia-sparkle.livejournal.com at 12:39pm on 23/09/2007
This is really beautiful, River. The notion of the sea looking so flat you can walk on it is so evocative and original.

Your tutor's going to love it.
 
posted by [identity profile] rivers-bend.livejournal.com at 01:17am on 24/09/2007
Thank you! *hugs* Now I just have to not stumble over the words while I'm reading it *g*
 
posted by [identity profile] victorian-tweed.livejournal.com at 01:11am on 24/09/2007
Lovely and evocative, River! It is both wonderfully descriptive and an excellent piece about being lost in a moment.
 
posted by [identity profile] rivers-bend.livejournal.com at 01:17am on 24/09/2007
Thank you. I've missed you this week. *hugs you tight*

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